#Zbrush lazymouse spacing skin

From the Alpha menu at the top of the screen, select Alpha 62.Ģ. Draw it on the canvas and enter Edit mode. Open the demo head ZTool from the Lightbox ZTools menu. In this demonstration we’ll use a ZBrush alpha as a stencil.ġ. The stencils are complex movable masks that can be interactively placed and rotated on the surface as well as tiled and wrapped to the shape beneath them. Stencils in ZBrush function the same way, but they can be used either for painting or for sculpting. Stencils allow you to paint complex shapes quickly. Some areas are blocked while the openings allow paint through. Typically, you will spray-paint through the openings in the stencil. A real-world stencil is a piece of flat material such as cardboard with one or more shapes cut out. In ZBrush, stencils function much in the same way as they do in the real world. Alphas as StencilsĪlphas can serve as brush shapes or texture stamps, but they can also be used as stencils. It should now be clear how this brush setting helps you cover large areas with a texture. Stroke quickly around the surface of the model with various Draw Size and ZIntensity settings. Using this technique, you can quickly and easily cover a large surface area with fine texture.ģ. The texture will apply in concentrated single stamps along the direction of the stroke. Raise the LazySteps slider to about 1.25. With the pore alpha loaded, select the Dot stroke, turn on LazyMouse, and set the LazyRadius and LazySmooth sliders to 0.Ģ. Follow these steps to create a scattering texture brush:ġ.

#Zbrush lazymouse spacing skin

An example is stamping a repeating texture, such as skin pores over a head. This technique is useful when you’re trying to apply high-frequency concentrated details across a large surface area. It is possible to increase this distance between the steps using the LazyMouse feature. The Dot stroke is essentially a Freehand stroke with more space between each instance of the alpha. The Freehand stroke creates a smooth line by drawing many instances of the selected alpha close together over the course of the stroke. The two strokes you use most commonly when sculpting are Freehand and DragRect the other more specialized strokes can come in handy for hard surface or mechanical modeling, or texture painting (as in the case of the Spray stroke). Some strokes, like Line, Conic, and Radial, are available in only 2.5D mode. Brush size is used to determine the size of the alpha. Same as colorized spray, except the stroke modifies the intensity of the selected color unless the color modifier slider is set to 0.Īpplies one instance of the current alpha. When painting RGB, it modulates the selected color based on the two selected colors in the active and secondary swatches. Similar to the dot stroke, except that it creates extra instances between each dot, giving the impression of a smooth stroke.Īpplies random instances of the alpha.